The Global Reach of a New Discourse
Identifieur interne : 000A75 ( Main/Exploration ); précédent : 000A74; suivant : 000A76The Global Reach of a New Discourse
Auteurs : Jing Wang [États-Unis]Source :
- International Journal of Cultural Studies [ 1367-8779 ] ; 2004-03.
English descriptors
- KwdEn :
- Teeft :
- Analytical content, Asset hybridization, Australian research council, Chinese content, Chinese media, Chuangyi gongye, Communist tune, Content production, Creative class, Creative industries, Creative industries sector, Cultural economy, Cultural industries, Cultural industry, Cultural sector, Different kind, Foreign capital, Gaming industry, Guangdong province, Higher education, Hong kong, Infrastructural inquiries, Institutional project, International project, John hartley, Knowledge economy, Mainland china, Mainland chinese, Media content, Media industries, Michael pryke, Nancial terms, Party congress, Peking university, Percent china, Public listing, Stuart cunningham, Wang, Western context.
Abstract
This article raises the question of ‘creativeindustries’ as a travelling discourse and examines its relevance to mainland China in the wake of its accession to the World Trade Organization (WTO). How do we construct a viable comparative framework that would enable us to track the place-specific economies of knowledge, creativity and content production? How do we account for a locale’s needs for specific discursive constructs? How can responsible cultural theorists talk about different national cultural policies relationally? This article brings to the fore an approach that prioritizes the infrastructural inquiries of the local agenda. Thus, it is shown that the same socialist state launched a campaign on creative industries in Hong Kong while stepping up its promotion of ‘cultural industries’ as a new policy category on the mainland. China’s stakes of entering the WTO are examined alongside the sites of crises embedded in the Chinese local norm.
Url:
DOI: 10.1177/1367877904040601
Affiliations:
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How do we construct a viable comparative framework that would enable us to track the place-specific economies of knowledge, creativity and content production? How do we account for a locale’s needs for specific discursive constructs? How can responsible cultural theorists talk about different national cultural policies relationally? This article brings to the fore an approach that prioritizes the infrastructural inquiries of the local agenda. Thus, it is shown that the same socialist state launched a campaign on creative industries in Hong Kong while stepping up its promotion of ‘cultural industries’ as a new policy category on the mainland. China’s stakes of entering the WTO are examined alongside the sites of crises embedded in the Chinese local norm.</div></front></TEI><affiliations><list><country><li>États-Unis</li></country></list><tree><country name="États-Unis"><noRegion><name sortKey="Wang, Jing" sort="Wang, Jing" uniqKey="Wang J" first="Jing" last="Wang">Jing Wang</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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